Doctor Who: Told You So

AKA remembrance of things that might be retconned

So yes, it’s just like I said in my last review. Lo and behold, with The Magician’s Apprentice we get the double bill return of Missy and of Davros. No sweating on slow burn mysteries, Steven Moffat is leaping straight into the big themes of the season: reaping what you sow and a variant on Hitler’s murder paradox. In saving a boy does he help create Davros and the Daleks? Or, The Doctor, by leaving him to his fate,  does he do the same? Is there any interference he can run, which wouldn’t create the person we know as Davros the Dalek creator?

Skaro, the pock-marked damaged from eons of war, not to mention hand mines.

Skaro: the pock-marked damage from aeons of war, not to mention hand mines.

If last season was about demonstrating how war shaped Danny Pink into a regretful, but ultimately heroic teacher/warrior/ saviour type who also saves the boy, then this series or at least this episode, suggests war can result in the opposite too. For every hero created, war also deeply damages people, and would particularly traumatise a small, lost boy. This episode explicitly demonstrates how Davros’ fear created the Daleks.

Danny and The Doctor, faced with similar situations must make difficult choices that change their lives and the lives of others.

Also, I don’t believe for a second that Missy and Clara are dead. Because time can be rewritten and because, basically, no.

Skaro, the last place you want to be if a Timelord. Or actually anyone else.

Skaro: the last place you want to be if a Timelord. Or actually anyone else. Khaled Dome in the background, (pre-1975).

So many shout outs

Alien bar with call backs to all sorts of aliens, well that’s a shout out to Star Wars, but also A Good Man Goes to War (2011).

Looking for The Doctor by stealing/following his companions – happened with Rory and Amy with Asylum of the Daleks (2012), but also with The Stolen Earth (2009) and pretty much any episode with Daleks – like Parting of the Ways (2005).

Speaking of which, the Judoon and the Architect of the Shadow Proclamation, also appear as a call back from The Stolen Earth (itself part of the Time War).

Then Davros starts playing his own call backs, to Tom Baker’s fourth Doctor describing implications of the Grandfather Paradox as applied to the destruction of the Daleks, from Genesis of the Daleks (1975).

Then there’s UNIT, (whose name dropping Kate Stewart somehow needs Clara to explain how dangerous planes can be as weapons). Nice to see them anyway, suppose.

The gravity question was a call back to The Beast Below (2010) with Amy – the water didn’t move so there were no engines. On this ‘ship’ the gravity was like that of a planet. And so it came to be.

Who is which, or is Missy the which? 

The question is who is the magician and who is the apprentice? Is the Doctor the magician, with his forced anachronisms and abilities to muck up time lines? Or is he the apprentice, learning to do bad from Davros, who perhaps, learned to do worse, from his saviour, The Doctor?

Missy escorts some chums around the Skaro Death Rays. See the Khaled dome in the background.

Missy escorts some chums around the Skaro Death Rays. See the Khaled domes in the background (destroyed 1975).

Apprentice and Magician – could they be Missy and Clara? The school teacher and the basically immortal psychopath. This relationship is fascinating, what with being mortal enemies but also reliant on each other, and brought together with their connections to and history with, The Doctor. We’ve seen that Clara has graduated – she can be the kind of Doctor type leader without him now. I wonder what she can learn from Missy then?

Loved

The clever writing regarding Hand Mines (did Moffat miss-hear some kid talking about land mines?). But I love even more the performance of them and how they look, and how terrifying they were.

I liked the set up. The war with laser biplanes and bows and arrows. Could have been a messed up Earth in a wonky version of WWI. But no, it was scarier.

I liked the snake emissary. Weird, scary, odd and snake-like. The art department gets a big well done for this episode.

I like Karn and the Sisters of the Comfy Sofa or whatever. More of them, more Timelord Lore.

 

 

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About Becadroit

A writer compelled to review Doctor Who episodes and art exhibitions, while also commenting on writing and submitting short stories and working on novellas.
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2 Responses to Doctor Who: Told You So

  1. Loki says:

    The reason for the mixed-equipment of the soldiers is one of the salient points of Skaro in the first Genesis episode. Having been familiar with that, I knew immediately once I saw the soldier with the bow and arrow.

    I figure that hand mines are a great idea because in a war where you’re so deprived of equipment you’re using bows and arrows, dead bodies are about the only thing there’s an abundance of.

    • Becadroit says:

      Yes! It’s been a long time since I’d seen it. But the bow and arrow set up the other theme of the episode (and perhaps the series) : anachronism. Missy in her get up, Daleks in their metal shells. The hands also hark back to Asylum of the Daleks when The Doctor says anybody, living or dead, can become a Dalek. In addition there are shades of Girl in the Fireplace with the idea you mentioned – machines making use of whatever (ahem) is at hand.

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